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Showing posts with label kritika narula. Show all posts
Showing posts with label kritika narula. Show all posts

Wednesday, 5 August 2015

Author Spotlight and Interview: Amita Trasi (+ Giveaway)



If you've read The Color of Our sky, you'll probably understand the truth in the words that describe the book as a haunting projection of the reality with an inexplicable charm!

Check out my review of the book here.

Today the person who etched those star-crossed characters, and creator of the soul-shattering plot joins us to share her experiences of writing the masterpiece.



Social media:

        

Interview


Kritika: Congratulations on the book, it is indeed one of the most soul-stirring books I've read. How did you decide that you will touch upon this taboo issue in your book?

Amita: Thank you! I am glad you found it to be a good read. When I set out to write this novel, I wanted write about the friendship between two girls—Tara who has a privileged upbringing like many girls in India’s cities and Mukta, a poor village girl who doesn’t really land the luck of the draw. Initially, I hadn’t imagined that Mukta would be born in a family of temple prostitutes. But as I started to write, the characters took on a life of their own and it took me to places that I honestly didn’t think I would ever research or write about.



I always knew that there were women in India, especially in the poorer sections of society, who were exploited and coerced into the human trafficking trade. There are so many girls like Mukta who are sacrificed at the altar of Devdasi traditions that still torment some villages in India (even though there is a law against it.) This, I think, is common knowledge for anyone coming from India but Mukta took me to a place in my own heart that I never thought existed.

Kritika: What came first- the idea of the plot or the desire to write?

Amita: I didn’t really have an idea of the plot when I began. I knew I wanted to write about two girls. So I started writing from their birth in different caste systems (in a village vs. a city) and I wrote detailed scenes with them growing up and retaining their friendship for three decades. The characters actually took me to where the story is now. I wrote more than 300 pages just to get to know my characters and the plot. Once I knew my characters well enough, and knew the story I wanted to tell, I got rid of more than half the writing, and worked through many drafts to start the novel at critical points in each character’s life. 

Kritika: How has the process of writing been for you? Share your struggles as you went about writing the brutalities that the characters suffered!

Amita: I think the most challenging part of writing this novel was writing the difficult scenes. It was challenging stepping into the shoes of a woman who endures so much and still retains her spirit. There were moments I went days without writing those scenes because it was too painful. But eventually, the only way to get through them was to write it. That’s the only way I could be true to my characters.
Another part that proved to be difficult was the research. There were so many brutalities /horrors I discovered during my research. I don’t think I’ve covered even one fourth of those in my novel—it would be too difficult to digest. I try to be as sensitive as possible with the more difficult scenes and use language to cushion the blow because it is a topic that must be heard.  So this novel has been an emotional ride. Writing about pain is one of the most difficult things to do and I hope I have done it some justice

Kritika: You've mentioned that Mukta's character has been inspired. Are the other characters inspired too? What kind of research has been monumental in the making of this poignant story?

Amita: Most of research for Mukta’s storyline has been through NGO’s working in India. I follow their work actively and most of Mukta’s experiences are borrowed (and dramatized) from women who have been enslaved in brothels in India. The description in my book about the way the NGO’s work in India is also quite realistic. Many characters that Mukta talks to in the brothel are mirrored on real life people.

As for Tara, a lot of her experiences are mine—especially the friendship scenes with Mukta (that mirrors my friendship with the daughter of a servant, Shakuntala) and more specifically the scene where the children find a dead infant on the construction grounds (which is a terrifying memory.)

Kritika: What publishing lessons have you learnt along the way? Share some insights with our readers!

Amita: Patience and perseverance is the key! I think getting a good developmental editor to look through your book and point out the plot holes and suggest improvement is a must before you even think about sending it out. A writer also needs to be open minded to look at his own work critically. In my case, my editor—Vrinda Condillac— really helped revamp the storyline and made me re-look at my characters and their motives. I am grateful to her.

Kritika: What do we have in the pipeline?

Amita: I am going to release a few short stories soon! I am also experimenting on working on two books in different genres simultaneously.

Kritika:  A random question: would you like the book to be adapted to a movie?

Amita: Sure. Why not?! One can dream, it just may become reality one day! 

Thanks Amita, for the wonderful interview!


Links to buy the book:


Enter Giveaway (Indian residents only) below:

Win a paperback copy of The Color of Our Sky




Yes, the Giveaway is over, and the winner is *drumroll* Arathy!

Thanks for participating, check your mail to receive your copy!



To get your book reviewed, read my review policy here. And then contact me here.

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Friday, 1 May 2015

Book Review: Dear Mister Essay Writer Guy by Dinty W. Moore

About the book:


The personal essay has never been more popular, with the likes of Lena Dunham and Mindy Kaling breathing new life into the genre. This innovative guide to crafting modern personal essays and creative nonfiction came about when acclaimed author and professor Dinty W. Moore solicited playful writing questions from today's top writers. He then penned witty responses in the format of a "Dear Sugar"-style advice column, illustrating each response with an original, humorous sample essay. In chapter 1, Phillip Lopate asks, "I am curious how you deal honestly with male-female relations in general and specifically your past girlfriends on the page without coming off as a male chauvinist pig," and Mister Essay Writer Guy pens a sage response and example essay dishing--respectfully--on all his exes. Cheryl Strayed asks for advice about her em-dash addiction, Julianna Baggott worries that to be a great writer you must become an alcoholic, Judith Kitchen looks for an excuse to exaggerate the truth to make it more interesting, and so on. Filled with modern examples of the creative forms nonfiction can take--including scribbled cocktail napkins, Facebook posts, and Google Map pins--this gifty little book is a hilarious relief for all essayists, memoirists, and creative nonfiction writers in distress.

About the author:

Dinty W. Moore is the author of numerous books, and has published essays and stories in The Southern Review, The Georgia Review, Harpers, The New York Times Sunday Magazine, Gettysburg Review, Utne Reader, and Crazyhorse. He edits BREVITY, the journal of concise creative nonfiction (www.brevitymag.com) and teaches at Ohio University.

Author website: 

http://www.dintywmoore.com

My Review:

Disclaimer: The tone and candour of my review is inspired from the writer's in the book. No offence meant. 
How can you read non-fiction like this and not fall in love with the genre? The whole genre owes you, sir. Or to your humor. I am not sure if we can separate the two, would you answer that for me.
Well, for starters you know you will fall into this book as soon as it opens because of well, this:
Hilarity ensues from page one. To say that the book has wit and sarcasm at its best seems an understatement. Our essay writer guy here answers to one of the letters, "I believe the best way to avoid coming off as a male chauvinist pig might be to not be a male chauvinist pig? Is that a stretch?"
And this is just the first answer, well, part of it. To think I was on a rollercoaster of laughter these entire 8 hours that I was reading the book. Okay, not entire though. There was this instance where the writer launched into some story about Zebras. I felt dozing off would be insulting so I just skimmed through it. But don't tell this to anyone- I've read the whole book otherwise.

From questions about em dash, and writing on napkins, to graphics that simply make you want to double up- what is not to devour in the book? The author has given and taken insults alike.
One thing is certain: the author will not write about his daughter. Why, you ask? "Whatever I wrote about my daughter, I had to live with it, and so did she, and I didn't want to screw the relationship up more than my ineptitude and the vicissitudes of her becoming a teenager already had."

The humor does not mean there's no wisdom. The author has cloaked the knowledge and insights about writing in wit. After all, what better way to teach than through humor- the universally attractive element?
For all people ho love words, who love to write, read or just devour essays, this book is a mus-read.
Will I buy this book? Most definitely I will! Do I recommend this book? In case you haven't read the entire review, most definitely I do!

Links:




An ARC was received from NetGalley


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Tuesday, 21 April 2015

Book Review: Blinded by Progress by Lee Van Ham

About the book:
Why does MultiEarth living--living as if we have more than one Earth--grip us so tightly when it defies commonsense to live beyond the capacities of our planet? Why do we continue to pursue economic growth as if it is economic health when it is ecologically impossible? Is It sinister? unconscious? blind faith? addiction?

Blinded by Progress contributes to the global conversation now underway about sustainable living. The author clearly delineates the contrasts between MultiEarth and OneEarth worldviews. He shows the power that myth has to facilitate our change to OneEarth ways or prevent it. For the MultiEarth illusion to continue, it utterly depends on our religious devotion to unsustainable economics, corporate rule, shrinking our humanness, and thinning democracy. Will we cooperate? resist? choose alternatives? This is a book of hope, helping us invoke our great capacities to change.

About the author:
In 1999, Lee Van Ham joined others in forming Jubilee Economics, a nonprofit focused in OneEarth living. Born to a tenant-farming family in Iowa, he pastored in the Midwest for 32 years before switching to work explicitly on the interplay between justice, ecology, economics, and spirituality. He and his spouse, Juanita, were part of the intentional community, Peaceweavings, in Chicago, before relocating to San Diego in 2002. They have grown children and five grandchildren. 

Van Ham has been working on ecological economics since 2000. In 2009 he met Michael Johnson, drawn together by a strong common interest in creating books and film on themes of ecology and economics. Johnson is an Emmy-award winning filmmaker. Out of their relationship was born the OneEarth Project. Van Ham is writing three books in the project’s “Eden Series” and Johnson has begun work on a related documentary. They desire to add to the conversations and actions that are moving civilization from empire to a living community with all of Creation.


My Review:

Predicament- Man has relentlessly and brazenly robbed nature of its beauty and bounteousness. There is a growing acceptance of this grave human folly and the dire need for adoption of a holistic and ecological view of the earth. We have decimated the forests and deteriorated the ecosystems. We have committed heinous crimes: over-exploitation of valuable natural resources, injection of toxic substances into the environment leading to global warming, biodiversity and ecosystem destruction (leading to declining fish and crop productivity), and loss of livelihoods for hundreds of millions of people. Concomitantly arises the increasing insecurity that thousands of communities face due to inadequate access in obtaining safe, adequate food and water.

Human beings are penning their own collapse


Ashish Kothari (Kalpvriksha) remarks, “Dominant trends of the last few years point to one inescapable conclusion: humanity is on a rapid descent into collapses of various kinds. The economic crises of the last few years are one very visible indication, and most economists who are open-minded and not driven by the dogmatic assertions of governments desperate to show a brave face, agree that these crises are not going away. Parallel, and connected, is the ecological crisis, most dramatically illustrated by the climate change-related disasters that are taking place around the world. . .” He further adds,” Add to this the growing tensions around the widening chasm between the rich, enjoying obnoxiously wasteful levels of consumption, and the poor, not finding even enough to eat.”
We all are more aware of the dangers lurking over us than ever before. We are painfully aware of the catastrophe that awaits us, the reason behind the changing weather patterns, et al. We are aggressively involved in environmental activism. But we don’t seem to be going anywhere. No lasting change. Not an iota of difference. So, where did we go wrong?
There’s a point in this process where we went extremely, but thankfully, not irreparably wrong. We hadn’t even accepted, acknowledged, acquiesced in or admitted to our folly of indifference when we started focusing on its remedy. Even before diagnosing the illness we have plagued our Mother Earth with, we wickedly shifted our focus to curing an ailment we didn’t even knew in entirety. As a consequence of our eternal haste and impudent thoughtlessness, what we have is a diabolic cataclysmic concoction: our consumerist lifestyles, the rapidity of change bought in by the impetuous and heedless pace of our whims (which is in contrast with nature’s balance), exploitation of finite natural resources with reckless abandon, our intervention in the balance of things, our insouciance towards life, none of these pointing towards any success in our attempt to rescue ourselves from the catastrophe.

Blinded by Progress: How apt!


We need to know where the fault lies. It is in us. And we need to acknowledge the multitudinous ways in which we have hurt the environment.
In his book, “Blinded by progress”, author Lee Van Ham presents a perspective to think of solutions from. He argues that we have adopted a multi-earth worldview. He begins the book by saying, ‘My lifestyle is too big for our planet’. In his book, he brings to us a plethora of astonishing revelations, which are so monumental in magnitude that one is forced to rethink the boundaries of an insanely greedy lifestyle. For starters, take his: if all seven billion people on Earth lived according to how an average American does, humanity would need a total of five planets to sustain us. Our ecological footprint exceeds one planet, we strive for more resources than available on one planet, and all systems, including the governmental and commercial centers are aimed at extracting more despite creational orders and limits. We have such staggering findings and statistics about our blatant, untamed consumption levels, yet we fail to modify our lifestyles into something which is sustainable.
Other remarkable things about the Multi-earth perspective is that we think of technology brings speed, convenience, and other such advantages, while we overlook the fact that the benefits really benefit us only when technology is used within the parameters of planetary and species well-being. In our thoughtless greed and avarice, a trait that manifests itself every time we reward profit-seeking unethical businessmen with huge profits. Profits are being maximized for corporate and private benefit; profits trump people’s rights and needs, social good, and eco-systems’ balance necessary for continued thriving.
And what has the knowledge of scarcity and limitation of resources done to us? We would like to believe it has made us considerate and thoughtful, however, the ugly truth remains that the sense of self-aggrandizement takes over our conscience and we are competing for these limited resources. The commercial strategies only aggravate the situation by making heedless consumers out of us, urging us to pursue unabated accumulation of more.
So, what is my point? Now that I have made you guilty enough, let me tell you what is it that you can do to actually make things better.
What I am about to suggest is open to customization by each one of us according to our respective lifestyles. There’s this one thing we all can do, and doing so will always remain a work-in-progress. We cannot just have a one-day remedy and still dare to think we changed the world. So, this is what I suggest: abstain from surfeit. Start viewing the ownership of more than is enough materially as a violation of the creational order, and live a simple life. The choice is yours to make: a life full of things or a fulfilled life.

I thank the author for providing me with a review copy!

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Tuesday, 14 April 2015

Author spotlight and Interview: Shama Patel




By the number of smiles in the interview, you can tell how positive a person the author is. True to her personality, she has written her debut work, "21 ways of being happy" which has been published by Grapevine Publishers. It received a 5* rating from our blog  here.

Today, she joins us for an insightful, cheerful and lovely chat!

Kritika: What triggered the writing bug in your case? Was there some moment of epiphany?

Shama: The writing bug was triggered in 2009 when I was all geared up to write a fiction script. I did complete the script, co-authored by a close friend (Asif Sayani). We managed to circulate the script to 12-15 publishers and got a ‘No’ from most of them. The rest never got back. Though I did enjoy working on that script, I was not drawn to writing as passionately as I am today. While I continued to work as an editor and take up various writing projects, the real breakthrough happened when I developed a sincere urge to write about my thoughts, feelings and experiences (sometime around 2012). I started maintaining a blog where I began writing about everyday human struggle and ending each post with something positive to take home. I maintained that while continuing my work as a Psychologist. It all started then and the passion was patiently transformed into '21 Ways of Being Happy' when Grapevine India identified my strength as a writer and a Counselor:-)

On her journey with the book:
This book has been a cathartic journey for me. There were time where I found my creative genius leading the entire process while I felt like a mere channel through which the words were spoken. There were moments when I was so involved into writing a part that I would begin writing at 1 am and be in the literary trance till 5-6 in the morning. So this whole journey has been mystically creative for me.

Kritika: How was writing the book a different experience than the sessions you have with your clients?
Shama: Haha. I like this question:) Well, when I take sessions, it is the client who does the talking and I play the role of a listener. In therapy, the clients speak out their dilemmas, unanswered questions, doubts, confusions etc. and it is during these conversations that they begin to see their life in a better and much healthier perspective.
However, in writing, it was left for me to do the talking and I had the entire Universe as my imaginary readers! So, I began to play dual role of both client and a Psychologist and began this beautiful journey towards happiness. Since I have gone through (and I still go through) day-to-day human challenges, I started sharing my own challenges (from a client perspective) so that the readers can relate to the feelings, behavior and emotions that we all experience. Then I would role reverse and see things from a Counselor's perspective and add ways that I personally practiced in my life. While in therapy, the clients bring in a problem situation, I had to come up with my own list of challenges that I would simplify through this book. The common thread that runs in both therapy and my book is my desire to touch lives. So, even though the process differ, my purpose of healing remains same in both the situations:-)

Kritika: How do you think does the genre of self-help ease the pain of those in distress?

Shama: I believe that each of us has a special gift. Some are gifted techies, some are gifted artists, some gifted dancers and similarly, there are people who are gifted with the ability to ease out the stress in people's lives. Psychologists and Counselors are some of those gifted individuals who, by nature, posses the art of healing which is further enhanced through studying the subject matter and learning various tools to overcome stress. In my opinion, any human being who has gone through problems in life and have managed to overcome them becomes compelled to share this learning with fellow human beings. This is how we have people write volumes of books on self-help. Since we all are human beings and most of us receive the same conditioning throughout our lives, we tend to have (almost) similar problem pattern and when we hear a person (aka self-help guru) talk about a problem and solution, we begin to relate to it with all our heart and mind. Since the self-help writers are human beings, their (hopefully) tried and tested ways do help in easing out the stress that a common human being experiences in his/her life. It works because when in distress, we refuse to see another perspective or fail to cross the fence and get on the other side of life. In that helplessness and hesitation, a self-help expert becomes the one who stands in front of you to say "Dude! life is difficult. It is painful. But you know what, I am here to be by your side. I am here if you need a hand or a light to assist you get on the other side of this fence. I know you can cross it because I have. If I as a human being can, then you as a human being definitely can". So, while you get comfortable relishing the role of a victim (the poor me), a self-help book/speaker can kick your butt and get you connected to the lost strength that lies within you.

What I do wish to highlight here is, self-help books are to be read with an intention of beginning your journey towards easing the stress in life and not used as a bible to refer to, each time you are in distress. While you continue to treat a particular book/author as a self-help guru, do not limit your search. Make your own self your own self-help guru (No one else but you). When you do that, you automatically begin to see how one book or one video or one self-help talk begins to transform your being in a positive manner, opening several healing channels within and around you. Get in touch with that self-help Guru within you, while you continue to explore this genre to broaden your knowledge and wisdom about human life:)

Kritika: What are the future plans? Can your readers expect more in the same genre, or is there a surprise?
Shama: Well I have signed a contract of seven books so, I have six more to go! For now, I hope the readers enjoy the journey into '21 Ways of Being Happy' :-) I am determined to write a book on Relationships so hopefully that would be my second writing venture:)
Future plans! To continue spreading happiness and healing through my work, be it writing, art, counseling or by simply being a human being! :)

Kritika: Any comments/experiences you'd like to share pertaining to getting published?
Shama: Now that I have a book published, I realize that it is easier to get a book published than to promote and market it in the literary world. Since first time authors are still looked at as wearing an 'L' board around their neck, not many people/bookstores are open to giving them bhav and promoting their work. Especially with the self-help tag, people develop a presumed notion that 'yeh toh badi boring and pakaau book hogi'. So, it is a real challenge for me to break that myth and pass this message of happiness to as many people as I can. Even though it is a challenge, I have been fortunate enough to come across blessed and wonderful souls like you who have been generous to join me on this journey of spreading happiness. I keep talking about the book/concept to whoever I meet and in that determination of promoting my work, I do encounter people who are willing to help me spread the word. What keeps me going on this journey is my faith on my work and the belief that it will touch numerous lives, sooner or later:)

This was such a great interview.
I am so happy to know that there are more books in the pipeline, I can't wait! And this author certainly endears herself to her readers! I adore the optimism and candour! It is at times like these that I find myself immensely lucky to be a book blogger.
Thanks for hopping on to my blog!
Find her book here:








Saturday, 20 December 2014

Author Interview: Shilpa Suraj


Shilpa is an Indian Mills & Boon author. She has written two books: The girl he left behind, and Rescued by Love., and is currently working on her third.

Interview


Well, first things first: How does it feel to be called a Mills & Boon author? How was the journey to becoming one?

It is quite literally a dream come true. I’ve always wanted to write but somehow life kept getting in the way and I never got around to it until I got married and my then new-husband announced that he needed to be based out of Chennai for six months. I decided to take a sabbatical from work and tag along. Finding myself with an unexpected block of free time, I started writing and haven’t stopped since. It’s been an incredible, soul-satisfying journey so far and I fully expect to be typing away even when I’m old and gray and squinting at my laptop.


The novel, Rescued By Love begins with the following sentence; "I'd rather die than marry him", doesn't it sound like an epic start to a romance novel?

From the moment the idea of Rescued by Love took form in my mind, I knew  Naina, my heroine, was going to be feisty, scrappy and full of life despite the fact  that her life was going to be very hard and full of hurdles. So the opening line perfectly encapsulates the drama that is her life and the start of the roller coaster ride that is the rest of the story.

What about the plot? Is it completely a figment of your imagination or have you witnessed perhaps one or more of the characters of the book?

The plot, characters and events of the novel are completely a figment of my imagination. Although, I wouldn’t mind meeting Arjun in real life :)


In my review, I have specially mentioned how I loved the wordplay and the creation of dialogues. How do you manage to keep it all spruced up with puns, and witty replies?

I’m so glad you enjoyed the dialogue and wordplay of the book. Most of it is instinctive and comes naturally to me. I guess to some extent my personality comes into play while I’m writing.

Who better person to answer this: what part do stories play in our lives?

I can’t imagine a world without books and the stories they tell. Nothing gives me more pleasure than turning the page on a good book in eager anticipation of what comes next. Stories open up our imagination, let us explore new worlds, and teach us new lessons, all without having to move from the comfort of our favourite reading spot.

Tell us in less than 20 words, why should people read this book?

Strong protagonists, livewire supporting characters, infectious humour, complex plot twists and soul searing passion. It’s romance at its best!

Check out the author's books :
(for more information, click on the book cover)

      

Find on social media:


                                           



Monday, 15 December 2014

Book Review: The Nidhi Kapoor Story by Saurabh Garg



About the Book:


Two dogs and a cat are butchered at the home of Nidhi Kapoor, a leading Bollywood actress. Left behind is a mysterious letter threatening Nidhi and her family.

Nishant Kapoor, Nidhi’s father and a superstar of the yesteryears is confined to a retirement facility in the hills. Tormenting him are his recurring dreams of someone trying to hurt him and his family.

A film set where Nidhi Kapoor is shooting for her much anticipated film goes up in flames. Trapped inside are Nidhi and her sister, Payal.

ACP Prakash Mohile is forced to take up the investigation. Rujuta Singh, a photojournalist chronicling the lives of policemen in Mumbai and shadowing Prakash, gets embroiled in the case.

Unwarranted incidents continue to happen and in absence of any real clues or motive, Prakash and Rujuta are forced to dig deeper in the past of the Kapoors. They unknowingly stumble onto a violent tale of lies, betrayal, treachery, infidelity and murder.

Time is running out fast and the unknown assailant is adamant on taking away from Nidhi everything that she holds dear - her career, her home, her reputation, her family and her life. With each move, he seems to be getting close. The answers however continue to elude Prakash and Rujuta.
What is it in their past that Kapoors are hiding from the world?
What grudge does the assailant hold against the Kapoors?
And, can they save Nidhi?

About the Author:


Curious marketeer by the day, Saurabh Garg is a storyteller by the night. The Nidhi Kapoor story is his first full-length story.

Apart from writing, Saurabh is passionate about startups, travel and poker. When he is not working on creating characters and plots for his upcoming stories, he likes to meet and talk to other interesting people and ask them stupid questions that often don't have answers.

Saurabh maintains a very elaborate bucket list. The item on top of his list is to visit every country in the world. So far, he's been to 15.

Originally from Delhi and based out of Mumbai, he went to Delhi university and MDI Gurgaon for his undergrad and postgrad respectively.


My Review:


Without any circumlocution, let me tell the prospective readers: this is the most well-crafted story of the contemporary times. The mystery is huge, yet palatable, the thrill is unvarying and consistent, the plot line is well thought-out. There have been so many points to admire about this book, I am compelled to enumerate them, so not to leave out any.

A lot of thought, research and plotting has gone into scripting this masterpiece. Honestly, coming from a debut author, this is an expert writing.
The characters have been etched with a precision such that their idiosyncrasies and behaviours are believable. Every character has a story. Right from the photojournalist Rujuta to the startlet Nidhi Kapoor.

The descriptions- of the city Mumbai, of the police and journalism profession- have been thoroughly entertaining and so apt. Add to it a cherry on top in the form of spicy bites of Bollywood, and you have the perfect entertaining read.
And then, there's more to it: the pace is so correct, it is a page turner. What else makes it a page-turner? The manner in which it unfolds. It is not a typical chronological sequence that the events follow, rather it unravels pivotal pints at the crucial time. Timing again is apparently a forte of the author. This works to intensify and amplify the thrill with which the reader reads, and then remains glued.
I don't know if it is just me, but I really could not find anything in the book that made it seem like the first book of an author: it could give John Grisham a run for his readers. No, seriously. This novel, only re-instates that the thrillers scene has finally arrived in India.

My Judgement:

It is a page-turner, an entertainer, and a well-crafted plot: all packed in one. Revel in its completeness, go grab your copy now, because you definitely don't want to miss the next bestseller on the block.








I thank the author for providing me with a review copy!
you can also like the facebook page : https://www.facebook.com/TheNidhiKapoorStory 

Sunday, 16 November 2014

Author Interview: RV Raman



Interview



Question: Congratulations on your first book. While it is not unusual for corporate insiders to pen down the novels, revealing the murky insides of the corporate world, what in particular, inspired you to write this novel?

Author: The corporate world is a fertile ground for stories – both inspirational and fictional. It has a fascinating interplay of every emotion one can think of, and every kind of conflict. Fiction, after all, is about emotive conflict. I saw an untapped potential for crime fiction there, and decided to give it a go.

Question:  Has it been your deliberate attempt to expose and uncover the vicious and dark side of the corporate India, what with the elements of scams, treachery, corruption and crime intertwined together in a plot that leaves the reader flabbergasted?

Author: Not at all. I set my novel in the corporate world simply because that is the world I know best.
Fraudster in entirely fiction, where I have taken great care to ensure that none of the characters or organisations reflect any real counterparts. I do not believe anything has been exposed or uncovered in the novel. None of the events in the book would be new to bankers, corporate executives or the finance profession.
Corporate India is no more vicious or dark than any other field of human endeavour – films, sports, politics, fine arts, the fourth estate – take your pick. But crime fiction, by its very nature, focuses on the dark side of humanity. 95% of the people in corporate India are good, honest folk who are busy making a living and building a better tomorrow for their children.

Question:  How handy has your experience in the sector been?
Author: Very handy. I do not believe Fraudster could have been written without experience in the sector. Take the presentation Sanjay & Subbu make to Visht, for instance. It is grounded in a bank’s credit appraisal and risk management processes. Similarly, the modus operandi of the real estate scam is based on reality. A retired Senior Vice President of a large corporate group was telling me last week that 10x, even 20x, overvaluation of real estate is not unheard of. Nor are fires that destroy factories.

Question: Should the readers expect more of crime fiction with settings in the corporate world from you?

Author: I would like to write more. The next one is set in the Indian stock market, and should be very relatable to the common reader – more people dabble in shares than in corporate finance.

Question: Have / would you write any other genre of books?

Author: I also write epic fantasy that is not related to Indian mythology. It is set 25 million years ago when the continents were adrift; before the Indian subcontinent rammed into Asia and raised the Himalayas. It is called the Shinmah Series written under the nom de plume of Kevan Dinn.

Question: Who is your favourite author and book?

Author: Can’t name just one. In crime fiction, I’d include all Sherlock Holmes and Poirot stories, And Then There Were None, The Day of the Jackal, The Odessa File, Sphere and Congo. In SFF, it’s Lord of the Rings and Asimov’s entire Robot/Foundation Series. And in humour, it’s almost any Wodehouse (I am partial to Blandings Castle novels).

7. What are the most motivational/inspiring lines for you?

Author: Hmm … I wish I knew.

“This interview is a part of The Readers Cosmos Book Review Program and Blog Tours.  To get free books log on to thereaderscosmos.blogspot.com







Tuesday, 11 November 2014

I met Dan Brown and... ASDFGHJKL

Well, when I registered for the Penguin Lecture, and received my passes with much toil, I realized that when it comes to the following for Dan Brown, I have a lot of competition. But, what I failed to imagine was that there would be serpentine queues outside the venue, and people must have queued hours before the seating was to begin. Not to mention, the length of the queues was such that they went all the way to the dark shadows cast by the trees beyond the Asian Games Village complex. So many registrations had been cancelled, I should have surmised that the turnout would be overwhelming. Because when Dan Brown entered and was welcomed with a deafening applause, he seemed overwhelmed with surprised elation over the cheers and the standing ovation, perhaps, he was flattered by the magnitude of stardom his works have acquired for readers in India.

Brown who told the enthusiastic audience, some 1000-odd readers of all ages, that he visited India first when he was 19, and felt like he had come home.
I am still in trance of having seen the author and having heard him live, just a few hours before, so I will just highlight the best parts of those 70 minutes spent at Siri Fort auditorium. The lecture was titles 'Codes, Science and religion'




1. His stardom surpassed that of Amitabh Bachhan, a fact that the moderator for the event, Rajdeep Sardesai, himself a Penguin Author, stated matter-of-factly. Yet, he arrived well in time, and it was sharp 7 when he began. So much punctuality, it just had my friend in tears. With girls swooning over him as he arrived at the venue, one could have taken him for an actor. His words: Wow. Thank you. what a nice welcome. Terrific welcome. I am thrilled to be here.

2. His hilarity: Personally, I thought he would be a serious personality, but then I guess, Brown never ceases to surprise his fans. Joking about how the battle between science and religion is the definiton of his life: with a mother who was a church organist and a father who was a mathematics teacher. And the fact that sunday church service were as much a part of his childhood as were his fathers calculation over the best pizza deal at the pizza parlor.

3. He brought the number plates of his parents' cars that reflect their personalities, and his first book, that had a print run of one copy and was called ‘The Giraffe, The Pig and the Pants on fire' all the way across the ocean.

4. He even made fun of the fact that people find it upsetting when he asks the most obvious questions about God, telling the intrigued audience how he is assumed to be wreaking vengeance on God for not answering some childhood prayers. He expressed his confusion over reconciling the difference between science and religion.

5. All religions teach us the same thing: Kindness is better than cruelty, Creation is better than destruction and
Love is better than Hate

6. He was inspired by Hardy Boys to write.

7. He implores us to read the scriptures as metaphors, fables and myths so that we can draw our own lessons.

8. Pen is mightier than the sword. I believe it is. Because the thing about pen is that one pen can reach millions and millions of people. But with a sword, you have to work pretty hard to reach a million people.


Did I tell you he had to be encircled by bouncers from preventing him being attacked by crazy fans?

Check out why I love Angels and Demons here.



Book Review: Whole in the Clouds

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Hidden in the pages of Whole in the Clouds you will find the ticket to a fantastical new world, complete with trees that sprout children, shy unicorns, elves who move at dizzying speeds, inchworms who wear spectacles and a pudgy little girl who is magically transformed into an ethereal beauty.

An unhappy orphan, Cora Catlin is a misfit at best, an outcast at worst. She feels out of place in her life, as if everything is backwards and part of her is missing. But her long, tormented hours in hum-drum Harborville take a decided turn upwards when she encounters an elfin stranger who tells of a mystical world that awaits her atop the clouds. As Cora travels to her new home by way of a magical elevator to the heavens, she finds herself and her companion physically transformed. As if an entirely new body wasn’t enough to get used to, royal parentage, talking pegasus’, a raging war and an alluring love interest who just happens to be the son of her father’s greatest enemy await Cora as well. Exploring this new land alongside her devoted dog Motley, Cora will unearth wonders and secrets beyond her wildest imaginings. She will discover the meaning of true friendship, love and what it means to finally feel whole—Whole in the Clouds.


Author

http://www.twitter.com/K_Kibbee
https://www.goodreads.com/author/show/7797928.Kristine_Kibbee
https://www.facebook.com/Wholeintheclouds?ref=br_tf


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Kristine Kibbee is a Pacific Northwest native with a love of language, nature, and animals. Kristine’s passion for creative writing began in her early youth and led her to Washington State University, where she earned a degree with a concentration in professional writing. Kristine has since had works published in The Vancougar, The Salal Review, S/tick Literary Review, and she is a featured columnist in the nationally syndicated magazine, Just Frenchies.

From the small town of Castle Rock, Washington, nestled among 22 acres of towering fir trees, Kristine relishes time spent outdoors with her two French bulldogs and one husband. She dreams of making the everyday world more magical with her fantasy novels.

Whole in the Clouds is her first middle grade novel


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My Review:

Without any circumlocution, I will get straight to the point of review. As a young adult, this book let me relive my childhood fantasies: replete with all elements of magic and fantasy. Infact at a point I anticipated a feature of unicorns and Will-o'-the-wisp, well, I am kidding. Right there, I knew I am loving the novel, it was such a great escape.
For the first two chapters I thought I might just be reading another drag story of how a misfit teen battles with bullying and retreats into self-contemplation. But the turn that the story took was a welcome change.

Clouden, of all things, deserves a special mention. The place is a fragment of my childhood imagination, and reading the story gave me an inexplicable pleasure. A tickling tinge.

but when all is said and done, (and read) I believe that the plot somehow lacks the dramatic panache that such a novel demands. So, for instance, when Cora Catlin leaves home, a letter as a farewell seems highly inadequate. Similarly, she accepts everything very easily. Not that she is naive or credulous, but in a way that this is what she expected. Frankly, that bogged down even my enthusiasm regarding the plot. Which makes me question: if this book is not for adults, is it entirely for kids? I still doubt that too.

Also, I have scratched my brain a lot, but couldn't fit in the title convincingly with the book.
Still, I'd say that the book's best part is the descriptio of Clouden, and oh! what would I not give to live in those magical places again?

Disclaimer: Thanks to Goodreads and Amazon for the book cover, about the book, and author information.







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