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Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Saturday, 16 July 2016

Quirks Of Writing A Period Drama: Guest Post by Author Lynn Steward

Of the enormous number of genres we have, historical fiction presents itself to be one of the most amazing to read, for period dramas transport us to another era altogether.
They also happen to the trickiest to write, and Lynn Steward, author of What Might Have Been tells us about the quirks of writing a period drama, including what research goes into writing it



Here's what she has to say,
"Tons of research! I easily spent a year and a half researching – a minimum of three hours a day, and more than thirty hours many weekends.  I studied historic events, iconic women, not only as individuals, but how they related to each other, and interiors of famous locations, such as B. Altman, CafĂ© des Artistes, Kenneth Salon, etc.  I drew inspiration from archived newspaper articles in The New York Times and The New Yorker.  Most important, I painstakingly organized  the notes and articles by dates, preparing spread sheets of timelines. Quickly reaching for the right file is crucial when an idea is sparked at the keyboard."


Well, this certainly gives us an idea of what it is like to pen down a literary fiction.

Here's more about the book and author:

ABOUT THE BOOK
 
As a fashion buyer at one of New York’s most glamorous department stores, Dana McGarry is a tastemaker, her keen instinct for fashion trends and innovative ideas coupled with a razor sharp business sense. But like the elegant and conservative store that employs her, Dana is caught between two eras—between being liked and standing her ground, between playing by the rules and being a maverick. Dana is sensitive and beautiful, but what you see is not what you get. Behind the cool and attractive facade, Dana is both driven by her need to control yet impeded by her expectation of perfectionism. As she competes to replace women at the top of their game, she is challenged by jealous colleagues. And when a wealthy love interest wants to open doors and support her ambition, she embraces Coco Chanel’s mantra of “never wanting to weigh more heavily on a man than a bird.” As the women’s movement paves the way, Dana finds a path to the career she wants at the expense of happiness that was not meant to be.

Steward captures the nuances of 70s life in New York City and provides the perfect backdrop for an independent woman determined to make her mark. What Might Have Been is a story that transcends any period.

TitleWhat Might Have Been
Genre:  Literary fiction/women’s fiction
Author: Lynn Steward
Website: www.LynnSteward.com 

ABOUT THE AUTHOR

Lynn Steward, a veteran of the New York fashion industry and a buyer on the team that started the women’s department at Brooks Brothers, created the Dana McGarry series, set at a transformational time in the 1970s world of fashion and in the lives of multigenerational women. What Might Have Been is the second volume in the series. A Very Good Life, Steward’s debut novel, was published in March 2014.

Twitter: @LynnStewardNY
This Guest Post is a part of the Book Tour hosted by DDS at b00kr3vi3ws


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Wednesday, 5 August 2015

Author Spotlight and Interview: Amita Trasi (+ Giveaway)



If you've read The Color of Our sky, you'll probably understand the truth in the words that describe the book as a haunting projection of the reality with an inexplicable charm!

Check out my review of the book here.

Today the person who etched those star-crossed characters, and creator of the soul-shattering plot joins us to share her experiences of writing the masterpiece.



Social media:

        

Interview


Kritika: Congratulations on the book, it is indeed one of the most soul-stirring books I've read. How did you decide that you will touch upon this taboo issue in your book?

Amita: Thank you! I am glad you found it to be a good read. When I set out to write this novel, I wanted write about the friendship between two girls—Tara who has a privileged upbringing like many girls in India’s cities and Mukta, a poor village girl who doesn’t really land the luck of the draw. Initially, I hadn’t imagined that Mukta would be born in a family of temple prostitutes. But as I started to write, the characters took on a life of their own and it took me to places that I honestly didn’t think I would ever research or write about.



I always knew that there were women in India, especially in the poorer sections of society, who were exploited and coerced into the human trafficking trade. There are so many girls like Mukta who are sacrificed at the altar of Devdasi traditions that still torment some villages in India (even though there is a law against it.) This, I think, is common knowledge for anyone coming from India but Mukta took me to a place in my own heart that I never thought existed.

Kritika: What came first- the idea of the plot or the desire to write?

Amita: I didn’t really have an idea of the plot when I began. I knew I wanted to write about two girls. So I started writing from their birth in different caste systems (in a village vs. a city) and I wrote detailed scenes with them growing up and retaining their friendship for three decades. The characters actually took me to where the story is now. I wrote more than 300 pages just to get to know my characters and the plot. Once I knew my characters well enough, and knew the story I wanted to tell, I got rid of more than half the writing, and worked through many drafts to start the novel at critical points in each character’s life. 

Kritika: How has the process of writing been for you? Share your struggles as you went about writing the brutalities that the characters suffered!

Amita: I think the most challenging part of writing this novel was writing the difficult scenes. It was challenging stepping into the shoes of a woman who endures so much and still retains her spirit. There were moments I went days without writing those scenes because it was too painful. But eventually, the only way to get through them was to write it. That’s the only way I could be true to my characters.
Another part that proved to be difficult was the research. There were so many brutalities /horrors I discovered during my research. I don’t think I’ve covered even one fourth of those in my novel—it would be too difficult to digest. I try to be as sensitive as possible with the more difficult scenes and use language to cushion the blow because it is a topic that must be heard.  So this novel has been an emotional ride. Writing about pain is one of the most difficult things to do and I hope I have done it some justice

Kritika: You've mentioned that Mukta's character has been inspired. Are the other characters inspired too? What kind of research has been monumental in the making of this poignant story?

Amita: Most of research for Mukta’s storyline has been through NGO’s working in India. I follow their work actively and most of Mukta’s experiences are borrowed (and dramatized) from women who have been enslaved in brothels in India. The description in my book about the way the NGO’s work in India is also quite realistic. Many characters that Mukta talks to in the brothel are mirrored on real life people.

As for Tara, a lot of her experiences are mine—especially the friendship scenes with Mukta (that mirrors my friendship with the daughter of a servant, Shakuntala) and more specifically the scene where the children find a dead infant on the construction grounds (which is a terrifying memory.)

Kritika: What publishing lessons have you learnt along the way? Share some insights with our readers!

Amita: Patience and perseverance is the key! I think getting a good developmental editor to look through your book and point out the plot holes and suggest improvement is a must before you even think about sending it out. A writer also needs to be open minded to look at his own work critically. In my case, my editor—Vrinda Condillac— really helped revamp the storyline and made me re-look at my characters and their motives. I am grateful to her.

Kritika: What do we have in the pipeline?

Amita: I am going to release a few short stories soon! I am also experimenting on working on two books in different genres simultaneously.

Kritika:  A random question: would you like the book to be adapted to a movie?

Amita: Sure. Why not?! One can dream, it just may become reality one day! 

Thanks Amita, for the wonderful interview!


Links to buy the book:


Enter Giveaway (Indian residents only) below:

Win a paperback copy of The Color of Our Sky




Yes, the Giveaway is over, and the winner is *drumroll* Arathy!

Thanks for participating, check your mail to receive your copy!



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Friday, 1 May 2015

Book Review: Dear Mister Essay Writer Guy by Dinty W. Moore

About the book:


The personal essay has never been more popular, with the likes of Lena Dunham and Mindy Kaling breathing new life into the genre. This innovative guide to crafting modern personal essays and creative nonfiction came about when acclaimed author and professor Dinty W. Moore solicited playful writing questions from today's top writers. He then penned witty responses in the format of a "Dear Sugar"-style advice column, illustrating each response with an original, humorous sample essay. In chapter 1, Phillip Lopate asks, "I am curious how you deal honestly with male-female relations in general and specifically your past girlfriends on the page without coming off as a male chauvinist pig," and Mister Essay Writer Guy pens a sage response and example essay dishing--respectfully--on all his exes. Cheryl Strayed asks for advice about her em-dash addiction, Julianna Baggott worries that to be a great writer you must become an alcoholic, Judith Kitchen looks for an excuse to exaggerate the truth to make it more interesting, and so on. Filled with modern examples of the creative forms nonfiction can take--including scribbled cocktail napkins, Facebook posts, and Google Map pins--this gifty little book is a hilarious relief for all essayists, memoirists, and creative nonfiction writers in distress.

About the author:

Dinty W. Moore is the author of numerous books, and has published essays and stories in The Southern Review, The Georgia Review, Harpers, The New York Times Sunday Magazine, Gettysburg Review, Utne Reader, and Crazyhorse. He edits BREVITY, the journal of concise creative nonfiction (www.brevitymag.com) and teaches at Ohio University.

Author website: 

http://www.dintywmoore.com

My Review:

Disclaimer: The tone and candour of my review is inspired from the writer's in the book. No offence meant. 
How can you read non-fiction like this and not fall in love with the genre? The whole genre owes you, sir. Or to your humor. I am not sure if we can separate the two, would you answer that for me.
Well, for starters you know you will fall into this book as soon as it opens because of well, this:
Hilarity ensues from page one. To say that the book has wit and sarcasm at its best seems an understatement. Our essay writer guy here answers to one of the letters, "I believe the best way to avoid coming off as a male chauvinist pig might be to not be a male chauvinist pig? Is that a stretch?"
And this is just the first answer, well, part of it. To think I was on a rollercoaster of laughter these entire 8 hours that I was reading the book. Okay, not entire though. There was this instance where the writer launched into some story about Zebras. I felt dozing off would be insulting so I just skimmed through it. But don't tell this to anyone- I've read the whole book otherwise.

From questions about em dash, and writing on napkins, to graphics that simply make you want to double up- what is not to devour in the book? The author has given and taken insults alike.
One thing is certain: the author will not write about his daughter. Why, you ask? "Whatever I wrote about my daughter, I had to live with it, and so did she, and I didn't want to screw the relationship up more than my ineptitude and the vicissitudes of her becoming a teenager already had."

The humor does not mean there's no wisdom. The author has cloaked the knowledge and insights about writing in wit. After all, what better way to teach than through humor- the universally attractive element?
For all people ho love words, who love to write, read or just devour essays, this book is a mus-read.
Will I buy this book? Most definitely I will! Do I recommend this book? In case you haven't read the entire review, most definitely I do!

Links:




An ARC was received from NetGalley


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